A journey through the labyrinth of a woman’s mind, OLMO AND THE SEAGULL tells the story of Olivia, a free-spirited stage actress preparing for a starring role in a theatrical production of Chekhov’s The Seagull. As the play starts to take shape, Olivia and her boyfriend, Serge, whom she first met on the stage of the Theatre du Soleil, discover she is pregnant.
Initially, she thinks she can have it all, until an unexpected setback threatens her pregnancy and brings her life to a standstill. Olivia’s desire for freedom and success clashes with the limits imposed by her own body and the baby growing inside her. The months of her pregnancy unfold as a rite of passage, forcing the actress to confront her deepest fears. She looks in the mirror and sees both female characters of The Seagull – Arkadina, the aging actress, and Nina, the actress who falls into madness – as unsettling reflections of herself.
The film takes a further twist when what appears to be acted is revealed as life itself. This portrait of the creative process invites us to question what is real, what is imagined, and what we celebrate and sacrifice in life.
120 minutes
PETRA COSTA’s (Director) first feature ELENA (2012), premiered at IDFA and won several prizes in festivals worldwide. It was the most watched documentary in Brazil in 2013 and in 2014 was released theatrically in the United States. Executive Produced by Fernando Meirelles and Tim Robbins, ELENA unfolds as a mixture of fever dream and psychological thriller. It tells the story of two sisters – and as one searches for the other their identities begin to blur. The film was called “a cinematic dream” by the New York Times, “haunting and unforgettable” by the Hollywood Reporter and was defined as a “masterful debut that takes nonfiction where it seldom wants to go – away from the comforting embrace of fact and into a realm of expressionistic possibility” by Indiewire.
LEA GLOB (Director) graduated from the National Film School of Denmark in 2011 with her well received short film MEETING MY FATHER KASPER HØJAT, an autobiographical interpretation of the director’s personal encounter with her long lost father. The film is an almost archaeological investigation of the father’s identity, seen through the directors imagination, as she goes through the boxes of objects left behind of the father. Among other acknowledgments, the film was nominated for the National Danish Film Award and for The Robert Awards, and won a Golden Panda for most innovative documentary film at the Chinese Shiuan TV Festival.
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FORMS OF ERRANTRY delves into the mesmerizing and haunting films of Miryam Charles and is edited by Lakshmi Padmanabhan. GEOLOGIC LISTENING centers the monumental and expansive work of filmmaker Deborah Stratman and is edited by Sukhdev Sandhu.
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